Precious: Based on the Novel 'Push' by Sapphire

There are very few films that have me in tears from beginning to end; Precious is one of those films. If you're still complaining about the economy and not being able to go on that holiday vacation, try taking a walk in Precious Jones' shoes. Set in Harlem in the late-Eighties, the film explores the life of Precious Jones, an illiterate, pregnant teenager trying to survive. Physically and emotionally battered by her deadbeat mother, raped by her father, and still in junior high, the sixteen-year old finds solace in her daydreams and at the alternative school she gets reassigned to. Intense and difficult to watch for the first hour, the film shows the bight side of life for a girl living in her own Hell.

Only his second film, Lee Daniels (Shadowboxer) is a marvel behind the camera. Not since Midnight Cowboy has anyone looked at desolation and dreams with such an unflinching eye and carry on a story that echoes the ominous passages of Hubert Selby Jr. One name that is sure to pop up during Oscar time is Gabourey Sidibe. A 26-year-old Psychology major with no experience behind the camera, Sidibe's raw and naked performance as Precious will leave you speechless. Take Joan Crawford, Ike Turner, and Frank Booth and roll it into one role and you have Mo'Nique giving a once-in-a-lifetime performance as Precious' psychotic mother. Mariah Carey not only can break the sound barrier, but give a stunning performance onscreen as Precious' social worker. Finally, the blood of Glitter can be wiped clean off her hands!

If I were to make a list of the best films of this year, Precious would definitely be up there. If you want to feel inspired and have hope, run (Don't Walk!) to Precious.

4 out of 4 stars: ****

Scorsese Recieves Cecil B. DeMille Award

It’s pretty early in the award season to place your bets on any winners, but there’s one person who is already a winner at the 2010 Golden Globes; Martin Scorsese. The Oscar-Award Winning auteur will receive the Cecil B. DeMille Award for his 40 year contribution to the world of cinema. Ironically, Scorsese presented last year’s DeMille Award to Steven Spielberg. Scorsese has been honored twice for Best Director at the Golden Globes for Gangs of New York and The Departed, which earned him the Academy Award for directing.

I am a true Scorsese fan; watching his films always leaves me speechless and mesmerized. I remember seeing him finally receive the Oscar in 2007 and shouting with joy as if the Red Sox won the World Series. Now that I got that off my chest, I’m overjoyed that Scorsese is being honored by the Hollywood Foreign Press Association. A few months ago, I was eagerly waiting to see Scorsese’s new film, Shutter Island. Unfortunately, Paramount pushed the film back to February 2010. Needless to say, I was livid and my hopes of seeing the film and its filmmaker get nominated were dashed. After hearing today’s news, I exhaled a breath of relief.

In the Sixties, Scorsese channeled the French New Wave filmmakers, mixed with the grit of New York City, with Who's That Knocking at My Door ?, It’s Not Just You, Murray!, and The Big Shave. In 1973, Scorsese looked at the criminal underworld of Little Italy with Mean Streets. Stripping away the operatic structure of organized crime that made The Godfather a success, Scorsese’s tale of street thugs through the guerilla-styled filmmaking became a hit at the New York Film Festival. Scorsese raised the bar on the crime genre with GoodFellas, Casino, Gangs of New York, and The Departed.

Scorsese is synonymous within the world of music with his celebrated documentaries like The Last Waltz, Bob Dylan: No Direction Home, and Shine A Light. As a film historian and lover, he has made it a mission to preserve film and restore it to a new audience. At this year’s Cannes Film Festival, Scorsese premiered the restoration of Powell/Pressburger’s 1948 classic, The Red Shoes.

Forty years of film and many more, Scorsese rightly deserves the honor of being a recipient of the Cecil B. DeMille Award.

A Serious Man

When you’re going into a movie theater, you don’t know if you’re going to be watching gold, or watching pure crap. After watching the first ten minutes of A Serious Man, I knew I had struck gold. The next 95 minutes grabbed me by the throat and didn’t let go without laughing or crying. Arguably, the Coen Brothers have topped themselves with this crowning comical achievement. Set in Minnesota in the late Nineteen-Sixties- semi-autobiographical to the Coens- Larry Gopnik, a middle-aged physics professor embodies Job by being pelted with divorce, his job and his enigmatic brother while questioning his Jewish faith. The pain grows with Larry’s self-absorbed teenage daughter and his son, who soldiers through Hebrew school with a handheld radio and a lid of weed.

Playing first-mate aboard the Coen’s Cruiser is cinematographer, Roger Deakins. Deakins captures the monotony of Midwestern suburbia that echoes American Beauty with an approach that would make Hitchcock grin, along with towering angle shots and drug-infused sequences that mirror Schlesinger’s Sunday Bloody Sunday. Carter Burwell’s romantic, yet haunting, blend of piano and strings flows throughout the film’s damned protagonist as he cycles around through id and superego. On top of Burwell’s score is an unforgettable blend of Jimi Hendrix and, primarily, Jefferson Airplane.

Michael Stuhlbarg has pounded the floorboards of New York reciting Shakespeare for the past decade. After seeing A Serious Man, you will be talking about Stuhlbarg’s intense, brooding, and funny performance as Larry Gopnik; this is a performance worthy of speculation and adulation. Richard Kind takes his comedic shtick from “Curb Your Enthusiasm” and gets darker as Larry’s deadbeat brother. Amy Landecker adds another weight onto Larry’s back as a seductive neighbor who plagues his mind with the sexual energy and gravitas of Anne Bancroft’s Mrs. Robinson.

If you want cheep laughs and thrills, this is not the film for you. If you want to be philosophically and theologically mind fucked, than get as close to the screen as you can. A Serious Man is, seriously, the best film of the year. The Coen Brothers have created their cinematic Sgt. Pepper that will have the religiously devout or true agnostic reeling with laughter and self-loathing.

4 out of 4 stars: ****